J Dilla-Donuts: Original Samples

Donuts was made on a hospital bed and in a home studio, on a stripped-down setup with a stack of vinyl. Released on its maker's 32nd birthday, three days before he passed away, the album has a resonance deeper than anyone could've hoped for or even imagined. Some who were close to Dilla have said that there are hidden messages in the samples, the track titles, and who knows where else. It's impossible not to speculate about some things, like the track titled "Don't Cry," the looped "broken and blue" from a version of "Walk on By," the presence of Eddie Kendricks singing "My people, hold on," or the fact that there are 31 tracks, a possible signal that Dilla survived a little longer than he expected. Then again, for every possible message, there are two or three elements that could've been designed to throw any analysis off its trail. After all, if there's one single image that the disc brings to mind, it's that of Dilla goofing off, having fun with some of his favorite records, and messing with some heads in the process. (And you could probably make the album's title out to be a metaphor for the circle of life, but sometimes a donut is just a donut.) Armed with sources that are either known to novice sample spotters or only the most seasoned diggers — surprisingly, the former greatly outweighs the latter — Dilla's also just as likely to leave his samples barely touched as he is to render them unrecognizable. It's fitting that Motown echoes, a predominant theme, are often felt, from the use of Dionne Warwick's Holland-Dozier-Holland-written "You're Gonna Need Me" (on "Stop"), to the shifting waves of percussion plucked from Kendricks' "People... Hold On" (on "People"), to the Stevie-like piano licks within Kool & the Gang's "The Fruitman" ("The Diff'rence"). Most of the tracks fall into the 60-90 second range. It's easy to be overwhelmed, or even put off, by the rapid-fire sequence, but it's astounding how so many of the sketches leave an immediate impression. By the third or fourth listen, what initially came across as a haphazard stream of slapped-together fragments begins to take the shape of a 44-minute suite filled with wistful joy. Like everything else Dilla has ever done, Donuts is not defining; in fact, elements of its approach bare the apparent influence of Jaylib collaborator Madlib. His mode has always been too slippery and restlessly progressive to be equated with any one track or album, but Donuts just might be the one release that best reflects his personality.
“Unknown Track” by Shuggie Otis
Sampled in “Donuts (Outro)”
“The Worst Band In The World” by 10cc
Sampled in “Workinonit”
“The New Style” by the Beastie Boys
Sampled in “Workinonit” & “The New”
“Johnny Don’t Do It” by 10cc
Sampled in “Waves”

“Light My Fire” by Lil Brown
Sampled in “Light My Fire”
“Watcha Gonna Wear Now” by Detroit Emeralds
Sampled in “The New”
“You’re Gonna Need Me” by Dionne Warwick
Sampled in “Stop”
“People Hold On” by Eddie Kendricks
Sampled in “People”
“Fruitman” by Kool & The Gang
Sampled in “The Diff’rence”
“Golden Apple Part 2″ by Galt Macdermot
Sampled in “Mash”
“All I Do Is Think Of You” by the Jackson 5
Sampled in “Time: The Donut of The Heart”
“You Just Cant Win” by Gene & Jerry
Sampled in “Glazed”
“I Don’t Really Care” by L.V. Johnson
Sampled in “Airworks”
“Lightworks” by Raymond Scott
Sampled in “Lightworks”
“Long Red” by Mountain
Sampled in “Stepson of The Clapper”
“For Once In My Life” by Stevie Wonder
Sampled in “The Twister”
“A Legend In Its Own Time” by Smokey Robinson & The Miracles
Sampled in “One Eleven”
“Only One Can Win” by The Sylvers
Sampled in “Two Can Win”
“I Cant Stand (To See You Cry)” by The Escorts
Sampled in “Don’t Cry”
“Family Tree” by Tin Tin
Sampled in “Anti-American Graffiti”
“UFO” by ESG
Sampled in “Geek Down”
“Charlie’s Theme” by The Jimi Entley Sound
Sampled in “Geek Down”
“Sweet Misery” by Martha Reeves
Sampled in “Thunder”
“To The Other Man” by Luther Ingram
Sampled in “Gobstopper” & “One For The Ghost”
“Rubber Band” by the Trammps
Sampled in “Dilla Says Go”
“Walk On By” by The Undisputed Truth
Sampled in “Walkinonit”
“Just Because I Really Love You” by Jerry Butler
Sampled in “U-Love”
“Maybe” by The Three Degrees
Sampled in “Hi.”
“Don’t Say Good Night” by The Isley Brothers
Sampled in “Bye.”
“To You With Love” by The Moments
Sampled in “Last Donut of The Night”
“When I Die” by Motherlode
Sampled in “Donuts (Intro)”

Kanye West-Late Registration: Original Samples

And then, in a flash, Kanye was everywhere, transformed from respected producer to big-name producer/MC, throwing a fit at the American Music Awards, performing "Jesus Walks" at the Grammys, wearing his diamond-studded Jesus piece, appearing on the cover of Time, running his mouth 24/7. One thing that remains unchanged is Kanye's hunger, even though his head has swollen to the point where it could be separated from his body, shot into space, and considered a planet. Raised middle class, Kanye didn't have to hustle his way out of poverty, the number one key to credibility for many hip-hop fans, whether it comes to rapper turned rapping label presidents or suburban teens. And now that he has proved himself in another way, through his stratospheric success — which also won him a gaggle of haters as passionate as his followers — he doesn't want to be seen as a novelty whose ambitions have been fulfilled. On Late Registration, he finds himself backed into a corner, albeit as king of the mountain. It's a paradox, which is exactly what he thrives on. His follow-up to The College Dropout isn't likely to change the minds of the resistant. As an MC, Kanye remains limited, with all-too-familiar flows that weren't exceptional to begin with (you could place a number of these rhymes over College Dropout beats). He uses the same lyrical strategies as well. Take lead single "Diamonds from Sierra Leone," in which he switches from boastful to rueful; more importantly, the conflict felt in owning blood diamonds will be lost on those who couldn't afford one with years of combined income. Even so, he can be tremendous as a pure writer, whether digging up uncovered topics (as on "Diamonds") or spinning a clever line ("Before anybody wanted K. West's beats, me and my girl split the buffet at KFC"). The production approach, however, is rather different from the debut. Crude beats and drastically tempo-shifted samples are replaced with a more traditionally musical touch from Jon Brion (Fiona Apple, Aimee Mann), who co-produces with West on most of the tracks. (Ironically, the Just Blaze-helmed "Touch the Sky" tops everything laid down by the pair, despite its heavy reliance on Curtis Mayfield's "Move on Up.") West and Brion are a good, if unlikely, match. Brion's string arrangements and brass flecks add a new dimension to West's beats without overshadowing them, and the results are neither too adventurous nor too conservative. While KRS-One was the first to proclaim, "I am hip-hop," Kanye West might as well be the first MC to boldly state, "I am pop."
from allmusic

“Someone That I Used To Love” by Natalie Cole
Sampled in “Wake Up Mr. West” & “Heard Em Say”
Produced by Kanye West & Jon Brion
“Candy Maker” by Tommy James & The Shondells
Sampled in “Heard Em Say”
Produced by Kanye West & Jon Brion
“Move On Up” by Curits Mayfield
Sampled in “Touch The Sky”
Produced by Just Blaze
“I Got A Woman” by Ray Charles
Sampled in “Gold Digger”
Produced by Kanye West & Jon Brion
“Wildflower” by Hank Crawford
Sampled in “Drive Slow”
Produced by Kanye West
“Home Is Where The Hatred Is” by Gil Scott Heron
Sampled in “My Way Home”
Produced by Kanye West
“Since You Came Into My Life” by The New York Community Choir
Sampled in “Crack Music”
Produced by Kanye West & Jon Brion
“It’s Your Thing” by Cold Grits
Sampled in “Crack Music”
Produced by Kanye West & Jon Brion
“Rosie” by Bill Withers
Sampled in “Roses”
Produced by Kanye West & Jon Brion
“My Life Is Loving You” by Rose Banks
Sampled in “Bring Me Down”
Produced by Kanye West & Jon Brion
“My Funny Valentine” by Etta James
Sampled in “Addiction”
Produced by Kanye West & Jon Brion
“Diamonds Are Forever” by Shirley Bassey
Sampled in “Diamonds From Sierra Leone”
Produced by Kanye West, Jon Brion & Devo Springsteen
“Action” by Orange Krush
Sampled in “We Major”
Produced by Kanye West, Jon Brion & Warryn “Baby Dubb” Campbell
“Superwoman (Where Were You When I Needed You)” by Stevie Wonder
Sampled in “We Major”
Produced by Kanye West, Jon Brion, Warryn “Baby Dubb” Campbell
“Today Won’t Come Again” by Donal Leace
Sampled in “Hey Mama”
Produced by Kanye West & Jon Brion
“Heavenly Dream” by The Kay-Gees
Sampled in “Celebration”
Produced by Kanye West & Jon Brion
“It’s Too Late” by Otis Redding
Sampled in “Gone”
Produced by Kanye West & Jon Brion
“Upon This Rock” by Joe Farrell
Sampled in “Gone”
Produced by Kanye West & Jon Brion
“The Show” by Doug E. Fresh & Slick Rick
Interpolated in “Gone”
Produced by Kanye West & Jon Brion
“I’ll Erase Your Pain” by The Whatnauts
Sampled in “Late”
Produced by Kanye West
“Make It Easy On Yourself” by The Three Degrees
Sampled in “We Can Make It Better”
Produced by Kanye West

Common-Be: Original Samples

I know some of you all are saying, “Damn Kevin, another sample set?” What can I say… I love to dig! I know there are quite a few new albums out that I’ve probably been sleeping on that deserve a review, but I don’t enjoy reviewing as much as I do diggin’. So, I’ve been working on this one for quite some time. You may remember my original post showcasing the samples of Common’s Be back when I only posted snippets of the original songs. Well, I promised I would go back and make official sample sets out of all those and this one seemed to be the most requested. The problem was a few of the songs were a little difficult to come by in their full form. But finally, here it is… search no more!

Released on May 24, 2005, Common went back to his roots when he recorded Be. After the negative criticism he received over Electric Circus, Common decided to take a simpler approach to his next album. He enlisted super-producer Kanye West to produce the entire album. All songs were produced by Kanye, with the exception of two outstanding tracks from the late J Dilla. The formula worked — Be spawned three hit singles (”The Corner”, “Go!”, and “Testify”) and the album itself went to #2 on Billboard.

Common said in a 2005 interview with sixshot.com: “I named it Be to be who you are man and be able to be in the moment and not try too hard. Be is another way of saying just do without trying hard, like I said natural and be true to the core of who you are and this album I wanted to just be and not just go and exist as just an artist not worried about the past.”


“Mother Nature” by Albert Jones
Sampled in “Be Intro”
Produced by Kanye West
“What It Is” by The Temptations
Sampled in “The Corner”
Produced by Kanye West
“You Make The Sun Shine” by The Temprees
Sampled in “The Corner”
Produced by Kanye West
“Old Smokey” by Linda Lewis
Sampled in “Go!”
Produced by Kanye West
“Faithful To The End” by DJ Rogers
Sampled in “Faithful”
Produced by Kanye West
“Innocent Til Proven Guilty” by Honey Cone
Sampled in “Testify”
Produced by Kanye West
“God Is Love” by Marvin Gaye
Sampled in “Love Is…”
Produced by J Dilla
“Since I Found My Baby” by Cornelius Jones & Sister Rose
Sampled in “Chi-City”
Produced by Kanye West
“Never Had It So Good” by The Chi-Lites
Sampled in “The Food
Produced by Kanye West
“Nothing Can Change This Love” by Sam Cooke
Sampled in “The Food”
Produced by Kanye West
“Sweet Children” by Caesar Frazier
Sampled in “Real People” & “Be Intro”
Produced by Kanye West
“Ghetto Child” by Ahmad Jamal
Sampled in “They Say”
Produced by Kanye West
“Share What You Got, Keep What You Need” by The Modulations
Sampled in “It’s Your World”
Produced by J Dilla

Enter The Wu-Tang (36 Chambers): The Samples

Enter the Wu-Tang (36 Chambers) is the debut album of the East Coast hip hop collective the Wu-Tang Clan, released on November 9, 1993. Many critics consider Enter The Wu-Tang one of the most significant albums of the 1990s and one of the greatest hip hop albums recorded. The distinctive sound of Enter the Wu-Tang created a blueprint for hardcore rap in the mid-1990s and helped return New York City hip hop to national prominence. The album itself is named for the 1978 martial arts film The 36th Chamber of Shaolin.

RZA produced Enter the Wu-Tang by creating sonic collages from classic soul samples and clips from martial arts movies such as Shaolin and Wu Tang. He complimented the rappers’ performances with “lean, menacing beats that evoked their gritty, urban surroundings more effectively than their words”, according to Stephen Thomas Erlewine of All Music Guide. The use of soul samples and various esoteric clips, and the technique by which RZA employed them in his beats, was unique and largely unprecedented in hip hop.

The gritty sound of Enter the Wu-Tang is due, at least in part, to the use of cheap equipment to produce the album. Many critics argue that this plays directly into the appealing “street” quality that makes the album a classic. Critics and admirers universally credit RZA with developing a “dusty yet digital production style that helped legitimize the use of more diverse sample sources to the hardcore New York rap massive, breaking away from James Brown based beats.”


“Synthetic Substitution” by Melvin Bliss
Sampled for “Bring da Ruckus”, “Clan In Da Front”, and “Method Man”
Produced by RZA
“Different Strokes” by Syl Johnson
Sampled for “Shame on a N*gga”
Produced by RZA
“Black And Tan Fantasy” by Thelonious Monk
Sampled for “Shame on a N*gga”
Produced by RZA
“Honey Bee” by New Birth
Sampled for “Clan In Da Front”
Produced by RZA
“Spinning Wheel” by Lonnie Liston Smith
Sampled for “Wu-Tang: 7th Chamber”
Produced by RZA
“The Way We Were” by Gladys Knight & The Pips
Sampled for “Can It Be All So Simple”
Produced by RZA
“Got The (Blues)” by Labi Siffre
Sampled for “Can It Be All So Simple”
Produced by RZA
“Impreach The President” by The Honey Drippers
Sampled for “Wu-Tang Clan Ain’t Nuthing ta F’ Wit”
Produced by RZA, co-produced by Method Man
“Hihache” by Lafayette Afro Rock Band
Sampled for “Wu-Tang Clan Ain’t Nuthing ta F’ Wit”
Produced by RZA, co-produced by Method Man
“I’ll Never Grow Old” by The Charmels
Sampled for “C.R.E.A.M.”
Produced by RZA
“Sport” by Lightin’ Rod
Sampled for “Method Man”
Produced by RZA
“More Bounce To The Ounce” by Zapp
Sampled for “Method Man”
Produced by RZA
“Method Of Modern Love” by Hall & Oates
Sampled for “Method Man”
Produced by RZA
“Sundown” by Gordon Lightfoot
Sampled for “Method Man”
Produced by RZA
“Tramp” by Lowell Fulsom
Sampled for “Protect Ya Neck”
Produced by RZA
“The Grunt” by The J.B.’s
Sampled for “Protect Ya Neck”
Produced by RZA
“Sing A Simple Song” by Sly & The Family Stone
Sampled for “Protect Ya Neck”
Produced by RZA
“Cold Feet” by Albert King
Sampled for “Protect Ya Neck”
Produced by RZA
“After Laughter (Comes Tears)” by Wendy Rene
Sampled for “Tearz”
Produced by RZA

De La Soul-3 Feet High and Rising: Original Samples

This sample set right here is a beast; 76 samples in all! That’s why I enlisted fellow blogger/digger Bulldog to help out. Actually, this set was his idea. I wasn’t interested at first in compiling such a huge set. I figured it’d just be too time consuming. But with Bulldog’s persuasion, I said let’s do it, and here we have the samples for De La Soul’s debut album, 3 Feet High and Rising.

Released in March of 1989, 3 Feet High and Rising is considered one of the most influential hip hop albums of our time. Influential in the sense that it often viewed as the originator of 90s alternative hip hop. The entire album was produced by Prince Paul and features an eclectic mix of samples ranging from old school hip hop, rock, jazz, and funk. Sampling was hardly new at the time of its release, however 3 Feet High and Rising revolutionized the technique and influenced virtually every producer and artist to come. As an interesting side note, De La Soul lost a law suit against The Turtles over the unauthorized sampling of “You Showed Me” on “Transmitting Live from Mars”.

In 2001, this album was re-issued with a second disc of B-sides and alternate versions. We’ve included the samples for those tracks as well. Although this sample compilation may not be one that you listen to over and over again, it’s definitely nice to have as a reference.


Led Zeppelin - “The Crunge”

Sampled in “The Magic Number”
Bob Dorough - “Three Is The Magic Number”
Sampled in “The Magic Number”
Double Dee & Steinski - “Lesson 3 (History Of Hip Hop Mix)”

Sampled in “The Magic Number”
Syl Johnson - “Different Strokes”

Sampled in “The Magic Number”
Johnny Cash - “Five Feet High and Rising”

Sampled in “The Magic Number”
Eddie Murphy - “Hit By A Car”

Sampled in “The Magic Number”
The Jackson 5 - “ABC”

Sampled in “The Magic Number”
Cymande - “Bra”

Sampled in “Change in Speak”
The Monkees - “Mary, Mary”

Sampled in “Change in Speak”
The Mad Lads - “No Strings Attached”

Sampled in “Change in Speak”
Run-D.M.C. - “Hit It Run”

Sampled in “Cool Breeze on the Rocks”
Fearless Four - “Rockin’ It”

Sampled in “Cool Breeze on the Rocks”
MC Lyte - “Lyte As A Rock”

Sampled in “Cool Breeze on the Rocks”
LL Cool J - “Rock The Bells”

Sampled in “Cool Breeze on the Rocks”
Richard Pryor - “Crap Game”

Sampled in “Cool Breeze on the Rocks”
The B-Boys - “Rock The House”

Sampled in “Cool Breeze on the Rocks”
Beastie Boys - “The New Style”

Sampled in “Cool Breeze on the Rocks”
Michael Jackson - “Rock With You”

Sampled in “Cool Breeze on the Rocks”
Gregory Abbott - “Shake You Down”

Sampled in “Cool Breeze on the Rocks”
Treacherous Three - “Body Rock”

Sampled in “Cool Breeze on the Rocks”
Ashford & Simpson - “Solid”

Sampled in “Cool Breeze on the Rocks”
Cutmaster D.C. - “Brooklyn Rocks The Best”

Sampled in “Cool Breeze on the Rocks”
Vaughan Mason & Crew - “Bounce, Rock, Skate, Roll”

Sampled in “Cool Breeze on the Rocks”
The Real Roxanne with Hitman Howie Tee - “Bang Zoom (Lets Go-Go)”

Sampled in “Cool Breeze on the Rocks”
Disco Dave - “High Power Rap”

Sampled in “Cool Breeze on the Rocks”
Public Enemy - “Night Of The Living Baseheads”

Sampled in “Cool Breeze on the Rocks”
Public Enemy - “Cold Lampin’ With Flavor”

Sampled in “Cool Breeze on the Rocks”
New Birth - “Got To Get A Knutt”

Sampled in “Can U Keep a Secret” and “This Is a Recording 4 Living in a Fulltime Era (L.I.F.E.)”
Lyn Collins - “Think (About It)”

Sampled in “Jenifa Taught Me (Derwin’s Revenge)”
Steve Miller Band - “Take The Money And Run”

Sampled in “Jenifa Taught Me (Derwin’s Revenge)”
James Brown - “Funky President”

Sampled in “Ghetto Thang”, “Freedom of Speak (We Got Three Minutes)”, and “‘Brain-Washed Follower”
Kraftwerk - “Trans-Europe Express”

Sampled in “Ghetto Thang”
The Blackbyrds - “Rock Creek Park”

Sampled in “Ghetto Thang”
The Turtles - “You Showed Me”

Sampled in “Transmitting Live from Mars”
Steely Dan - “Peg”

Sampled in “Eye Know”
Steely Dan - “FM”

Sampled in “Eye Know”
Patrice Rushen - “Remind Me”

Sampled in “Eye Know”
The Mad Lads - “Make This Young Lady Mine”

Sampled in “Eye Know”
Otis Redding - “(Sittin’ On) The Dock of the Bay”

Sampled in “Eye Know”
Sly & The Family Stone - “Sing A Simple Song”

Sampled in “Eye Know”
The Headhunters - “God Made Me Funky”

Sampled in “Take It Off”
The People’s Choice - “I Likes To Do It”

Sampled in “Tread Water”
Jarmels - “A Little Bit of Soap”

Sampled in “A Little Bit of Soap”
Ben E. King - “Don’t Play That Song”

Sampled in “A Little Bit of Soap”
Funky 4+1 - “Thats The Joint”

Sampled in “Say No Go”
Sly Stone - “Crossword Puzzle”

Sampled in “Say No Go”
The Emotions - “Best Of My Love”

Sampled in “Say No Go”
Hall & Oates - “I Can’t Go For That (No Can Do)”

Sampled in “Say No Go”
Detroit Emeralds - “Baby Let Me Take You (In My Arms)”

Sampled in “Say No Go”
The Turtles - “I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts)”

Sampled in “Say No Go”
Barry White - “I’m Gonna Love You Just A Little Bit More Baby”

Sampled in “De La Orgee”
Billy Joel - “Stiletto”

Sampled in “Plug Tunin’ (Last Chance to Comprehend)”
The Bar-Kays - “Son Of Shaft”

Sampled in “Plug Tunin’ (Last Chance to Comprehend)”
The Invitations - “Written on the Wall”

Sampled in “Plug Tunin’ (Last Chance to Comprehend)”
Bo Diddley - “Hit Or Miss”

Sampled in “Buddy”
The Commodores - “Girl, I Think The World About You”

Sampled in “Buddy”
Sly & The Family Stone - “Poet”

Sampled in “Description”
Doug E. Fresh & Slick Rick - “The Show”

Sampled in “Me, Myself and I”
Ohio Players - “Funky Worm”

Sampled in “Me, Myself and I”
Funkadelic - “(Not Just) Knee Deep”

Sampled in “Me, Myself and I”
Edwin Birdsong - “Rapper Dapper Snapper”

Sampled in “Me, Myself and I”
Parliament - “Little Old Country Boy”

Sampled in “Potholes In My Lawn”
Melvin Bliss - “Synthetic Substitution”

Sampled in “Potholes In My Lawn”
Eric Burdon & War - “Magic Mountain”

Sampled in “Potholes In My Lawn”
The Sequence - “Funk You Up”

Sampled in “This Is a Recording 4 Living in a Fulltime Era (L.I.F.E.)”
The Rascals - “My World”

Sampled in “D.A.I.S.Y. Age”
Average White Band - “School Boy Crush”

Sampled in “D.A.I.S.Y. Age” and “Strictly Dan Shuckie”
James Brown - “Get On The Good Foot”

Sampled in “Freedom of Speak (We Got Three Minutes)”
Wes Montgomery & Jimmy Smith - “13 (Death March)”
Sampled in “Skip to My Loop”
Wes Montgomery & Jimmy Smith - “Baby, It’s Cold Outside”


Sampled in “Skip to My Loop”
Dr. Buzzard’s Original Savannah Band - “Hard Times”


Sampled in “Ain’t Hip to Be Labeled a Hippie”
The Turtles - “You Baby”


Sampled in “What’s More”
Ray Charles - “Booty Butt”


Sampled in “Brain-Washed Follower”
The Moments - “So This Is Our Goodbye”


Sampled in “Brain-Washed Follower”
Ruby Andrews - “You Made A Believer Out of Me”


Sampled in “Brain-Washed Follower”
The Village Callers - “Hector”


Sampled in “The Mack Daddy on the Left”

2Pac - 2Pacalypse Now [The Samples] 2Pac - 2Pacalypse Now [The Samples]

This is the one that started it all (and got Dan Quayle all riled up)! Whenever anyone asks me about 2Pac and his albums, I always refer to the solid three: 2Pacalypse Now, Strictly 4 My N.I.G.G.A.Z. and Me Against the World. To me, these are three certified classics and his most definitive works.

It's no surprise that I'm a huge 'Pac fan... I've been heavily influenced by not only his music, but also by his demeanor and approach to expressing his opinions. Sure, I don't agree with all the paths he chose to take throughout his life, but the positive efforts he made speak for themselves. A great aspect about sample sets is that it tells a story about the artist. Each sample resonated within that emcee, and impacted their work. Throughout other sample sets, we've seen compilations that were jazzy, funky and so on... They give a background on the artist. Well, this one definitely speaks for 'Pac and who he was. It's got your political joints, be they from The Honey Drippers or N.W.A., riot music if you will. But it's also got your jazzier side with the likes of Herbie Hancock, as well as thought-provoking gems by Bill Withers and The Soul Children. Appropriately so, there were two sides to 2Pac. This set exhibits and highlights that duality. Check it out:

Disc One:

01. 'Good Ole Music' by Funkadelic
• Sampled for 'Young Black Male' by 2Pac
• Produced by Big D the Impossible
02. 'I Got to Have It' by Ed O.G. & Da Bulldogs
• Sampled for 'Young Black Male' by 2Pac
• Produced by Big D the Impossible
03. 'The Product' by Ice Cube
• Sampled for 'Young Black Male' by 2Pac
• Produced by Big D the Impossible
04. 'Dead Homiez' by Ice Cube
• Sampled for 'Young Black Male' by 2Pac
• Produced by Big D the Impossible
05. 'Holy Ghost' by The Bar-Kays
• Sampled for 'Trapped' by 2Pac
• Produced by The Underground Railroad
06. 'The Spank' by James Brown
• Sampled for 'Trapped' by 2Pac
• Produced by The Underground Railroad
07. 'No Name Bar' by Isaac Hayes
• Sampled for 'Soulja's Story' by 2Pac
• Produced by Live Squad
08. 'Ain't No Sunshine' by Bill Withers
• Sampled for 'Soulja's Story' by 2Pac
• Produced by Live Squad
09. 'Sneakin' in the Back' by Tom Scott & The L.A. Express
• Sampled for 'Soulja's Story' by 2Pac
• Produced by Live Squad
10. 'Any Colour You Like' by Pink Floyd
• Sampled for 'Violent' by 2Pac
• Produced by Big D the Impossible

Disc Two:

11. 'Crab Apple' by Idris Muhammad
• Sampled for 'Crooked Ass Nigga' by 2Pac
• Produced by Live Squad
12. 'Straight Outta Compton' by N.W.A.
• Sampled for 'Crooked Ass Nigga' by 2Pac
• Produced by Live Squad
13. 'Fuck tha Police' by N.W.A.
• Sampled for 'Crooked Ass Nigga' by 2Pac
• Produced by Live Squad
14. 'Gangsta Gangsta' by N.W.A.
• Sampled for 'Crooked Ass Nigga' by 2Pac
• Produced by Live Squad
15. 'Let a Woman Be a Woman, and Let a Man Be a Man' by Dyke & the Blazers
• Sampled for 'If My Homie Calls' by 2Pac
• Produced by Shock G
16. 'Fat Mama' by Herbie Hancock
• Sampled for 'If My Homie Calls' by 2Pac
• Produced by Shock G
17. 'Chameleon' by Herbie Hancock
• Sampled for 'If My Homie Calls' by 2Pac
• Produced by Shock G
18. 'I Don't Know What This World Is Coming To' by The Soul Children
• Sampled for 'If My Homie Calls' by 2Pac
• Produced by Shock G
19. 'Prelude' by N.W.A.
• Sampled for 'If My Homie Calls' by 2Pac
• Produced by Shock G
20. 'Impeach the President' by The Honey Drippers
• Sampled for 'Rebel of the Underground' by 2Pac
• Produced by Shock G
21. 'Part-Time Lover' by Stevie Wonder
• Sampled for 'Part Time Mutha' by 2Pac
• Produced by Jeremy

50CENT的黄色录像 绝对爆！

这种黄色东西 以后不常发 第一天开客 就是为增加点流量！
标题：50 Cent a.ka. Pimpin Curly Release A Trailer Of Rick Ross's Other Baby Momma "Brooke" (Who Is A Call Girl) In A Porn Tape
傻逼5五角 一直再拍黄色MIXTAPE，不过没见过这么爆的，不喜欢你打我，不留言的我打你！
从纹身和身材来看 男主角觉对是那个傻逼！


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